“I felt instinctively that should she ever decide to move one of the surrounding mountains to the other side of the canyon, she would go about it calmly and deliberately, some evening after supper, perhaps. And she would move it – every stick and stone of it – and would ask no help.”
~ Nell Murbarger
“Josie Pearl, Prospector on Nevada’s Black Rock Desert”
Desert Magazine, August, 1954.
The West is rich in stories about strong, independent women. You may have to scratch the surface to find them, but they’re always there. Of course there’s your standard-issue pioneer wives, cowgirls, and widowed ranch women who run the place singlehandedly once their man is gone. But there are others who don’t fit the comfortable categories we’re used to pinning on them. Lately I’ve been thinking about two such gals. They never knew each other but they have one odd thing in common, an extravagance I find hard to explain.
The first is Nellie Bly Baker O’Bryan. Early in life, Nellie seemed an unlikely candidate for becoming a gutsy mountain mama. She started out working as a secretary for Charley Chaplin’s film company, First National Studio. Chaplin noticed her and invited her to play bit parts in his silent films. Eventually Nellie acted in 13 films alongside the likes of Joan Crawford, Edna Purviance, and Chaplin himself. She wasn’t a star, but work was steady and the pay was good. She’d made it in Hollywood.
By 1939, Tinsel Town had lost its luster and she took off for the rugged Sierra. She bought the ramshackle remains of a remote mining camp named Lundy near Mono Lake. She built her home out of boards scavenged from weathered shacks. Eventually she constructed four more cabins, a store, and a restaurant and christened her place the “Happy Landing Resort”. She lived year-round in this remote, avalanche prone canyon and became California’s first licensed fishing and hiking guide. Nellie toughed it out in Lundy until she was almost 60.
I once heard a story about Nellie’s first winter. She was freezing in her makeshift cabin during a typical Sierra blizzard. Snow blew through the cracks and she’d thrown every quilt and blanket she owned on the bed. Through her shivering she remembered a full-length fur coat packed away in a trunk. In desperation, she dug through the trunk, found the coat, turned it inside out, wrapped herself up in the furry cocoon and got back into bed. She said it was the first time she’d been warm in a week.
Many years after hearing Nellie’s story, I encountered the tale of Josie Pearl. She was a bona fide desert rat whose “retirement” cabin sat in a canyon on the edge of the Black Rock Desert. Josie had lived in boomtowns most of her life. She waitressed, ran boarding houses, prospected, and mined — mostly for gold. She was good at it too. When journalist Ernie Pyle visited her in the 1930s, he wrote, “Her dress was calico, with an apron over it; on her head was a farmer’s straw hat, on her feet a mismated pair of men’s shoes, and on her left hand and wrist $6000 worth of diamonds! That was Josie — contradiction all
Pyle noted something else that, after Nellie’s story, came as no surprise. Inside Josie’s rough cabin was an “expensive wardrobe trunk with a $7,000 seal skin coat inside …” Of course! No intrepid Western hermit woman would be without one.
There’s no mention of Josie ever sleeping in her fur coat. Or maybe she did sleep in it but didn’t think it worth mentioning. We’ll never know. The funny thing is, every winter when the blizzards start blowing, I think about those fur coats packed away in trunks. Now I’m not a fan of wearing furs. I was brought up when magazines featured Greenpeace pictures of pathetic baby harp seals about to be bludgeoned. But I realize that fur coats used to have a mystique for women that they don’t have now. They represented luxury and status. In cold northern cities, they actually kept you warm. But when Nellie and Josie were young, well-off married women, a warm fur coat was hardly necessary in Hollywood, California or Goldfield, Nevada.
So why did these women haul expensive fur coats out to their ratty cabins in the sagebrush? It’s hard to imagine many opportunities to dress up in your fur and heels. If they didn’t have a practical use, what purpose did they serve?
Maybe they were like money in the bank — you could always take them to Reno and pawn them in a pinch. But jewelry or coins would have been handier for that.
Maybe it had to do with a certain feminine ideal they couldn’t part with? As long as they owned a fur coat, they were in some magical way, a “lady” by association. Maybe they remembered a woman who felt at home in a more glamorous world.
And they didn’t want to forget her.